The Gnomon Workshop - How to make a Creature with Character
这个三小时的教程讲解如何创建具有个性特征的角色生物设计，这些特征可以随着电影或游戏中的故事而演变。使用软件：Blender，ZBrush，Photoshop，KeyShot。
Ian Joyner 拥有超过 15 年的行业经验，为漫威影业等设计角色和生物，他展示了他完整的设计工作流程，重点关注可信的解剖学、历史和故事的重要性。
该课程从使用免费在线工具PureRef最重要的参考收集阶段开始，以及如何创建可以帮助集中和指导工作的角色概要。伊恩为这个工作坊决定了一个太空海盗、赏金猎人风格的角色，他从一个简单的领域开始了ZBrush的雕刻工作。Ian 在雕刻时融合了动物和人类元素，讨论了他最信任的工具和画笔，并分享了笔记和行业技巧，因为他将角色的头部和躯干构建成一个完全实现的模型。
接下来进入Photoshop，Ian展示了如何在2D中探索服装设计，然后再在3D中雕刻它们。在ZBrush中使用蒙面技术，伊恩将盔甲作为一件在角色身上建立起来。他还详细介绍了如何将KeyShot用作管道的一部分来渲染可以在Photoshop中绘制的图像，以进行进一步的设计和颜色探索。然后教授Blender作为重新拓扑硬表面装甲部件的主要工具，以及如何使用ZBrush自己的重新拓扑工具。
一旦对雕刻的最终通过感到满意，KeyShot就会用于渲染角色，然后再将其最后一次带入Photoshop。在这里，最终的涂装将设计带入一个电影或游戏就绪的概念，准备呈现给客户或导演。
时间： 182 分钟
格式： HD 1920x1080
SOFTWARE USED
Blender，ZBrush，Photoshop，KeyShot
DESCRIPTION
This three-hour workshop teaches how to create a creature design with the kind of character and personality traits that can evolve with a story throughout a movie or game. With over 15 years of industry experience designing characters and creatures for Marvel Studios and many more, Ian Joyner presents his complete design workflow with a focus on the importance of believable anatomy, history, and story.
The class begins with the all-important reference-gathering stage using the free online tool, PureRef, as well as how to create a character synopsis that can help focus and guide efforts. Deciding on a space-pirate, bounty-hunter-style character for this workshop, Ian kicks off the sculpting in ZBrush, working from a simple sphere. Fusing animal and human elements as he sculpts, Ian discusses his most-trusted tools and brushes, and shares notes and industry tips as he builds out the character’s head and torso into a fully realized model.
Moving into Photoshop next, Ian shows how costume designs can be explored in 2D before sculpting them in 3D. Using masking techniques in ZBrush, Ian builds up armor over the character as one piece. He also details how KeyShot can be used as part of the pipeline to render images that can be painted over in Photoshop for further design and color exploration. Blender is then taught as the main tool for retopologizing the hard-surface armor parts as well as how to use ZBrush’s own retopology tools.
Once satisfied with the final pass on the sculpt, KeyShot is used to render out the character before taking it into Photoshop for the last time. Here, the final paint-over takes the design through to a film- or game-ready concept ready to present to a client or director.
Duration: 182 Minutes
Format: HD 1920x1080
分类：教程 > 3D教程 > ZBrush
发布：CGer | 查看： | 发表时间：2023/7/5 15:03:45 | 更新时间：2023/7/5 15:09:18
点击消耗 10 CG点（约 1.0 元）解锁 30个通用资源， 12小时内有效!(有效期内不重复扣点)
| 常见问题，点击查询: | ||
| ●CGer（Cg儿）资源下载帮助 | ||
| ●资源名词解释 | ||
| ●注册/登陆问题 | ||
| ●充值出错/修改密码/忘记密码 | ||
| ●充值赠送系统 | ||
| ●文件解压出错/解压密码 | ||
| ●Payment with Paypal | ||
| ●哪些资源会被列为付费资源 | ||
| ●为何要充值解锁 | ||
| ●免责条款 | ||
| ●联系站长（联系站长前请先仔细阅读 免责条款 ，网站只提供资源，不提供软件安装等服务！） | ||
