Mixing Light - Color Tutorials Collection
Mixing Light - DaVinci Resolve达芬奇色彩调色教程合集
Adding Grain Efficiently Using The Overlay Blending Mode
Adding Some Clarity- 3 Different Methods
Advanced Beauty Grading - Stills Techniques
Advanced Beauty Grading Part One
Advanced Windows - Difficult Shape Masking
Bad TV- Essential Steps For Creating The Bad TV Look
Behind The Curtain - Bread Short Film Part One
Behind the Curtain - Commercial #1- From Base Grade to Final Look
Behind the Curtain - Commercial #2- From Base Grade to Final Look
Behind The Curtain - Liberty Commercials Sun vs No Sun
Behind The Curtain - Live Concert Grade
Behind The Curtain - Refining and Enhancing _Bread_
Behind The Curtain - Shot Matching _Bread_
Behind The Curtain - Thrice The Grey
Best Exposure From Your Raw Files
Building A Show LUT to Keep Your Looks Consistent
Color Correcting Using New Software - Have Confidence In Yourself
Color Warper 101 - Concepts and Interface Fundamentals
Color Warper 101 Part 2- Managing Points _ Pins + Chroma-Luma Panel
Color Warper 101 Part 3- Creating Looks (Plus A Grading Challenge)
Combining Shared Nodes and Group Grades – Applying CSTs, Looks and, LUTs
Conforming In DaVinci Resolve - Solving Sync _ Frame Rate Problems
Controlling Saturation in DaVinci Resolve
Creating a _Film Look_ and Managing Film Grain
Creating An S-Curve Using The Contrast _ Pivot Controls
Creating Skin Contrast With High_Low Key Techniques
Creating the Classic Black and White Look By Thinking Like A Colorist
Creating Your Own Fusion Effects Plug-ins with DaVinci Resolve 17
Creative Grading - Retro Sci-fi Look
Custom ACES Part 4- Updating For Resolve 17
DaVinci Resolve Compound Nodes- Efficiently Managing Looks
Developing Looks And Settling On Your Exposure Levels
Dirty Color Grading Looks - Taking Your Image To The Limit
Dirty Looks - Emulating Early Film Looks with Light Leaks
Dirty Looks - Looks Throughout The Ages
Dirty Looks- Early _00s Looks
Exploring XML Conform Options in DaVinci Resolve
Exporting LAB LUTs from Photoshop- Does it work-
Feature Inspired Color Grading Looks - Blade Runner 2049
Finishing In Resolve - Reframing, Blanking _ Delivering
Frequency Seperation - An Introduction
From Client Hard Drive to XML Export- Prepping a Timeline
From The Grading Room Grading Underwater Footage
From The Grading Room- Turning A Session Around
Getting Up To Speed On Resolve 17’s New Proxy Workflow
Grade Breakdown - Challenge Your Imagination
Grade Rescue - Saving A DSLR Moving Portrait
Grading A Short Film Part 2 - Testing The Feel Of The Footage
Grading The White Cyc Stand Up - When White Is Not White
HDR Palette - Using Multiple Zones, Contrast, Presets, Global Control
HDR Palette 101 - Resolve Color Management 2.0 + Contrast Controls
How A Colorist Makes Decisions Through The Grading Process
How Do You Use Resolve_s Parallel and Layer Mixer Nodes-
How Do Zones Work in Resolve 17_s New HDR Palette-
How To (Improperly) Export LUTs in DaVinci Resolve 15
How To Combine Group Grades With Shared Nodes While Avoiding The Pitfalls
How to create a light, airy feel by dropping the midtones
How to Handle Scaling in XML Workflows for Premiere Pro CC
How to Protect Skin Tones While Color Grading with a Heavy Look
How To White Balance Shots Using Common Color Correction Tools
How to Work with Color Charts in DaVinci Resolve 14
In Action- Working With The Key Mixer In DaVinci Resolve
Infrared Look - Emulating Aerochrome
Inside the Color Grade Of A Furniture Brand - Series Overview
Inspiration - Color Grading Methods In A Fashion Commercial
Inspired By Lacoste, Timeless - Learning From An Award Winning Grade
Is Your ARRI Alexa Mini Color Pipeline Properly Set in ACES-
LAB Color in DaVinci Resolve - Foundations Part 2
LAB Color in DaVinci Resolve- Is it effective-
LAB Colorspace- An Introduction (using DaVinci Resolve 11)
Look Inspiration - Adding To The Narrative In A Flashback
Look Inspiration - B_W Looks
Look Inspiration - Colorized Film Look
Look Inspiration - Metallic Monochrome
Look Inspiration - Warm Commercial Look
Matching Pantone References - And When To Say No
Neo Noir B_W - Using Hardlight Blending Mode
Node Tree Compositing- Building A Green Screen Shot In One Node Tree
Nodes 101 – Mastering DaVinci Resolve’s Serial Node
Photochemical Grading - Part Two
Practical Beauty Color Grading Level One- Quick and Effective
Read me.rar
Rebooting Your Eyes - How To Step Back From Your Grade
Rediscover The Basics - Advanced Node Operations
Rediscover The Basics - Color Temperature
Rediscover The Basics - Contrast
Rediscover The Basics - Defining Texture In Your Image
Rediscover The Basics - Fixing Exposure Shifts
Rediscover The Basics - Saturation
Resolve 17 Big Little Features- Part 2 – The Edit Page
Resolve 17- Big Little Features Part 1 - The Color Page
Resolve Color Management Tips and Pat_s Fixed Node Tree
Saving The Day With Input Sizing in DaVinci Resolve
Shot Matching - Working With Skin Tone
Should You Go For That Film Look Or Embrace The Digital Clean Look-
Skin Tone Essentials- Hands, Arms, Legs and Feet Part One
Sky Replacement - Is It An Essential Skill For Colorists-
Tales From The Grading Suite - Lighting The Looks
The 10-Minute Grade- Shot Balancing (updated)
Thinking Like A Colorist - Color Correcting A Forest Scene
Thinking Like A Colorist - Considering Final Contrast Pt 1
Thinking Like A Colorist - The _Final Grade_
Thinking Like A Colorist- Breaking Down the Western Scene
Two Ways of Using DaVinci Resolve_s Parallel Mixer Node
Understanding the Premiere to DaVinci Resolve Image Sizing Handoff
Using DaVinci Resolve_s _Offline Reference Clip_ to Conform Timelines
Using Log Controls As A Secondary Correction
Using Playheads - Working Faster In DaVinci Resolve_s Color Page
Using Post-Clip Grouping As A Timeline Grading Alternative
Warm Looks- Yellow Warmth Vs Red Warmth (which are you-)
White Balancing Shots and Solving Common Problems
Why We Love LUTs and How To Replace Your LUT Addiction
Why You Need to Master the _Frame Size_ Option in Premiere Pro CC
Working With Reference Images Part 2- Evaluating Camera Source Footage
Working With Reference Images Part3- Building The Look
分类：教程 > 2D教程 > DaVinci Resolve
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